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He felt that he might soon be separated—perhaps, for ever—from the fond little creature he held in his arms, whom he had always regarded with the warmest fraternal affection, and the thought of how much she would suffer from the separation so sensibly affected him, that he could not help joining in her grief. Emerging from this aperture, he was about to descend, when he was alarmed by hearing the tramp of horses' feet swiftly approaching, and had only time to hide himself behind one of the largest signboards before alluded to when two horsemen rode up. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. “So it seems that I was wrong. Boldly he turned the knob of a certain door and entered. " "I do not doubt it," returned Jack; "none but those who have experienced it can understand the miseries of imprisonment. . He had an appointment in Jersey, you know, after he left the army. But his role was altered, and he was now playing the bridegroom in this remarkable drama. He might go on as the devoted lover until he tired.
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