" "Hum!" "Have you any reason to suppose he survived the accident?" inquired Thames eagerly. I am rehearsing now for a new play at the ‘Garrick’ and I have quite made up my mind to try and make some sort of position for myself as an actress. Even Blueskin looked on with anxiety. She looked down at him and saw that the sunlight was gleaming from his cheeks, and that all over his cheeks was a fine golden down of delicate hairs. All my personal effects to be left in charge of the nearest American Consulate. What a pity! For all her ignorance of material things—the human inventions which served the physical comforts of man—how much she knew about man himself! She had seen him bereft of all those spiritual props which permit man to walk on two feet instead of four—broken, without resilience. She became angry with herself. Just an idea of mine. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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