Ann Veronica brought her luggage in a cab from the hotel; she tipped the hotel porter sixpence and overpaid the cabman eighteenpence, unpacked some of her books and possessions, and so made the room a little homelike, and then sat down in a by no means uncomfortable arm-chair before the fire. I can remove the prisoner at any hour of the night I think fit: and I will remove him. I doubt I hold any interest for him anymore. There were sidetables and a writing table, similarly buried in bric-a-brac, and the chair by the French doors could hardly be seen for blankets. “Diedermayer’s a kiss-ass. Folding his arms, he placed his back against the door, and burst into a loud laugh. He got off on it. ’ ‘I could have done so at the first and saved you the pain,’ she told him merrily. Upon leaning back, he commented, “You look so sad. ” “How dull you are,” the lady remarked. I never want you to be ashamed of me. You see, it is that I begin to like you, even that you are of this disposition extremely interfering. The supreme effect for Ann Veronica was its surpassing relevance; it made every other atmosphere she knew seem discursive and confused.
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