. . Nearly all the individual works in the collection are in the public domain in the United States. “You are late,” she murmured. To the poor carpenter it seemed an endless distance. Only your horror of a grandfather insisted on coming with me, so I had to wait for him to be ready and travel at his pace. Then she would have quiet times, in which she would say to herself, “Now look here! Let me think it all out!” For the first time, it seemed to her, she faced the facts of a woman’s position in the world—the meagre realities of such freedom as it permitted her, the almost unavoidable obligation to some individual man under which she must labor for even a foothold in the world.
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