Stanley was inclined to think the censorship should be extended to the supply of what he styled latter-day fiction; good wholesome stories were being ousted, he said, by “vicious, corrupting stuff” that “left a bad taste in the mouth. ’ Kimble chewed his lip, but his hostility was visibly lessening. The supreme effect for Ann Veronica was its surpassing relevance; it made every other atmosphere she knew seem discursive and confused.
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