The horse-soldiers wheeled round and cleared a path: the foot closed in upon the cart. He was alert, well-groomed, and yet—perhaps in contrast with the more volatile French type—there was a suggestion of weight about him, not to say heaviness. ‘Comment? What do you say?’ Gerald looked down into her face, and found himself touched by the uncertainty he saw there. Miss Ellicot has spoken to you, the great Mr. . ’ She frowned suddenly. But it was only six-thirty. Disgusted him! “For men policemen never blush; A man in all things scores so much. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. He could not doubt it. . ‘It is, you understand, that Monsieur Charvill did not—how do you say in English?—having an eye to an eye—’ ‘Didn’t see eye to eye with the Vicomte Valade? That I can well believe.
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